| It is also something really hard to talk about without resorting to some truly unfortunate terminology: “sound sculpture,” “noise music,” “free improvisation,” “experimental collective” -- who among us does not feel a deeply-seated, almost physical revulsion in the presence of such coarse language? I would not blame you one bit if you’d Command-Q’d your way right out of here just seeing such terms, even in quotes. But for the one or two of you who are still here, well, bless you. therefore.’s Ocean has eight largely improvisational instrumental pieces on it which all are in some way evocative of the ocean. There. That should do away with the two people who were still reading. That leaves just me and the screen and the keyboard. OK. |