We take some cold comfort in the idea that we live in an age when an album populated by characters straight out of Ibsen or Strindberg can be as legitimately popular as Amnesiac really is. But we feel mainly nervous when we consider the direction things have been heading. Once we were introverted, or living in dreams -- the album's first two songs -- but now we have come into contact with others, and we are spewing venom every time we open our mouths. Our attention to our meanings has sharpened, and our targets have multiplied. Even as we see how well-aimed the shots are, we feel certain that our whole city will be destroyed. We are right to be little anxious about this, too: unless our track listing lies, “Morning Bell” will be next, and we remember that one from the last time we ran into Thom Yorke in a dark alley.
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-LPTJ-
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