--that first line
just a simple, observable, verifiable fact; the second a tentative step
into subjectivity, which is then followed immediately by the amazing third
line, a leap from the present tense into an imagined conditional future: I wish Is back in Memphis, back home with my Mama If this were a younger person singing -- say, if we had the misfortune to hear LeeAnn Rimes do it, the mere imagining of which makes me want to die outright -- that might be a coy line, or a misguided attempt at schlocky melodrama. But its Chuck Berry; in the version Im listening to right now, its Levon Helm, whose voice, one of the most distinctive in the entire history of rock, is to youth as Jim Beam is to Latter-Day Saint. In either case, the maturity of the singer makes the line carry a heavy, bitter burden, crackling with humor born of deep disappointment. Its also genuinely wistful, of course, but it establishes early on a sort of undercurrent, an underlying damn-it-all dismissal of the immediate surroundings. We dont even know what the immediate surroundings actually are; we just know that theyre not Memphis: Just a great big town full of cold hearted strangers |
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