Reader, I mean to tell you that if you listen to this stuff before
sunrise in a midwestern household full of sleeping children, it’ll
get to you, and I’d wager that there are a number of other situations
in which it’d have similarly mind-altering effects. There are
some cheesy recitations of poetry in German at the outset, but the
relentless uniformity of the song has swallowed up their memory by
the time ten minutes have passed; when they crop up again, near the
end, you barely even notice them. Maybe they’d stand out more
if I spoke German, I don’t know; as it is, though, they just
sort of drift past me. I’ve got Join Inn playing here
in the house right now, and it’s all cold and grey outside,
and I feel like if the snow came and buried me completely it really
wouldn’t be so bad. There are modern analogues for music that
dispenses this particular kind of bliss -- maybe trance music is reaching
for the same territory -- but it’s precisely from Ash Ra Tempel’s
willingness to completely defer the question of rhythm that “Jenseits”
draws most of its power. The music just floats up from the ground
and remains airborne for nearly thirty minutes. It is frankly quite
stunning. |
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