Dated by at least two removes, at that: the fuzzy guitars and stuff-me-in-a-closet drums are mid-sixties psych by way of late-eighties AmerIndie, as anachronous as an AOL icon on a desktop. Unlike said icon, though, these guitars are downright charming. They charge forth like mushroom-hunting pigs hot on the scent. Every song on the album springs out of the speakers with the wild-eyed wonder one might imagine seeing in the eyes of an old friend coming into your house after several years spent living in the wilderness -- there’s a palpable sense of purpose to these home-made rock songs, infusing them with a quiet, unforced urgency. Per the dictates of his now-defunct scene, Loewenstein plays all the instruments himself; since he’s spent some years doing this, the result is not a mish-mash, as was the case when there were three new albums of this stuff coming out every week, but the sound of a unified front, all hard and tight and zeroed-in.
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