But who knows? It could just be that people stopped making good indie rock records, and now Jason Loewenstein has made one, and, given that it makes its appearance in a marketplace decidedly lacking in comparable efforts, it sounds like the kraken rising from the depths. Each listen yields deeper, darker dividends;the song called “More Drugs” gives me the chills in a big, hard way. By the time the album-closing “Transform” lopes into the room like some rude beast sidling up from among thick trees along the turnpike in Western Massachusettes, starving for blood and ready to eat, I’m persuaded: the album whose appearance in my mailbox made me wonder if the package had been languishing in the post office since ‘97, is in fact an utterly vital document that testifies to the most basic truism in rock music, viz., that great records don’t need anybody’s permission to be great. Which is to say: you’re not likely to hear this one unless you put forth some effort. Do so. You are not likely to regret it.
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