There’s no wah-wah and few heroics, though. The whole album doesn’t make too much of a scene about anything; it just does what it does, thrashing its hilariously gore-obsessed heart out over there in Farmingdale, New York, maybe hoping that someone notices, maybe not caring at all. The more I consider the latter possibility, the better I like it. Autry O’Day craved recognition but will get none, ever, except from me; Ghoul wants only a small space in which to glorify the ransacking of graves, and may yet rule their chosen genre. We shall see. In the meantime, there’ s We Came for the Dead!!!, worth seeking out for a winter’s evening or two, needing none of your pity, wanting your fear, and richly deserving of your rased-index-and-pinky-finger wonder.
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-LPTJ-
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