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| The scratching & use of samples
on the album is deliciously low-tech and occasionally thrilling; the
specificity of some of the political focus is unusual for gangster
rap (as when Willie Dee elucidates, with great economy and clarity,
the differences between the education available to a young white child
in Houston and the leftovers spread thinly among the area’s poorer
neighborhoods) and occasionally prompts the same sort of “right
on” you’d usually reserve for the Last Poets or Gil Scott-Heron. |
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